BLANCHE BAILLY AND THE CANAL 2’OR TROPHY: WHY HER MUSICAL SUCCESS HAS YET TO TRANSLATE INTO A WIN

Cameroonian singer Blanche Bailly has built an impressive music career, delivering hit songs, attracting millions of views and maintaining her place in the industry. However, despite her musical achievements, the award-winning moment at the Canal 2’Or has continued to elude her, raising questions about what could be standing between the singer and the prestigious trophy.

The conversation has gained fresh momentum following the 15th edition of the Canal 2’Or, held on October 31, 2026, at the Palais des Congrès in Yaoundé. Blanche received nominations in several categories, including Female Musician, Afro-Urban Female Artist and Popular Song for her collaboration with Lady Ponce, Rise Up. However, she once again left without a trophy, while Sandrine Nnanga walked away with the Best Female Artist award.

So, what could explain this recurring disappointment?

One argument making rounds among entertainment observers is the question of fan mobilisation. While Blanche boasts popular songs such as Kam We Stay and Mimbayeur, some believe her supporters may not be doing enough to convert her online popularity into votes during award competitions where public participation matters.

Her public image has also become part of the conversation. Past controversies, including the widely discussed refrigerator dispute in Buea, have attracted criticism and divided public opinion. Some believe such incidents could influence how audiences perceive an artiste, although there is no established evidence that they have affected her award results.

Another issue is the persistent debate over transparency and alleged favouritism in award ceremonies. Critics have questioned whether musical performance, popularity, industry impact and other considerations receive equal weight during the selection process. However, claims of copinage or deliberate exclusion remain unproven.

Interestingly, Blanche’s repeated nominations suggest that her contribution to the music industry has not gone unnoticed. Yet, for an artiste whose catalogue includes several successful releases, the absence of a Canal 2’Or trophy remains a talking point.

Until the organisers provide more clarity on the selection and voting process, the debate is likely to continue.